We saw a few letters of this in a catalog, and liked it so well we drew it up and made it as a film font for photolettering. Due to a surplus of interesting...
This was a favorite of the old time job printers; decorative but readable. The MacKellar foundry was the largest and most creative of the old foundries, and decorative fonts like this one came out...
In digitizing this old font, we took great liberties with the design, removing some jarring elements. The result reads much more smoothly than the original, retaining the overall character of the original. Hope you...
Although wood types are found throughout the world, most of the decorative one originated in the United States. This one would work well on theatrical playbills, and advertising for tourist railroads, wild west shows...
Introduced by the American Type Founders Co. at the time of the Spanish American War and advertised as suitable for “War Scare Headlines”! Used by many papers for years after because the narrow type...
Back in the days when we earned our living with a travelling magic show, we took the shaded font Lithotint, filled it in, modified some characters, and here is the result. In those days,...
Like many of the Victorian decorative fonts, this one had caps only when Barnhart Bros. and Spindler brought it out. In 1990, we decided to draw a lowercase for it, making it more versatile....
Many foundries had versions of Concave ‹ wide, narrow, extra condensed, some with lowercase, some without. A good general utility style for Victorian typography.
Eastlake was a popular furniture style of the period when the MacKellar, Smiths & Jordan foundry brought out this font. As with many types, we find it difficult to see the connection between the...
In our early days of type hunting, we considered this to be the prize of our collection. Fonts of this late Victorian period seem to have less ruffles and flourishes than the earlier ones,...